A bold, befuddling, sometimes frustrating and often brilliant look into the casual horror of everyday human connection.

An ambitious puzzle box of a time travel spy thriller that nonetheless showcases Christopher Nolan in abnormally sloppy form.

An overstuffed, generic spin-off with no concrete stakes or narrative arc.

Mandy is a fascinating, haunting and endlessly entertaining work of psychadelic horror.

A brilliant, entertaining and thought provoking look at a microcosm of American politics.

A flawed but ambitious film urging us all to confront the most frightening inevitability of them all.

A meandering yet ambitious effort from Spike Lee shining light on the connection between Black oppression and the Vietnam War.

A nightmarish fever dream of a film that skewers a dark period of Chilean history with experimental stop-motion genius.

Relic is a well meaning film with a lot of good going for it, but it ultimately loses grip on what it was trying to be.

Palm Springs is a funny and surprisingly smart rom-com that fills in its few cracks with genuine pathos and easily-digestible philosophy.

A beautiful orchestral fable masquerading as a high school character drama that continues Naoko Yamada's success as an animated storyteller.

A gentle, hypnotic film with a strong undercurrent of melancholy towards the death of the American frontier.

Welcome to Chechnya is a shocking and eye opening portrait of the struggle in Chechnya - and Russia as a whole - for LGBT rights.

The Fandom reminded me of what being a furry means to me, and why I'm proud to be among it.

As 2020 is halfway over, I decided to revisit my top ten and see which films from 2019 have stayed with me, and which haven't.

With the first half of 2020 being a weird, tumultuous experience, the second half looks to be returning to more of a sense of normalcy.

The best films dove into themes of oppression and human experience, and reflect the tumultuous climate we live in in their own quiet way.

What the weakest films this quarter generally inspired in me was a general sense of exhaustion and apathy.

If I had to name a favorite lesbian film, right now it would be Portrait of a Lady On Fire.

A beautiful film that resonates with me on a personal level - but falls apart when it comes to its problematic central romance.