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And Then We Danced Review (4/10/2020)

a quiet, character driven coming of age story that tells a very simple story with a revolutionary core

Uncut Gems Review (1/1/2020)

Gripping, darkly funny and insightful, Uncut Gems showcases the true latent talent of Adam Sandler.

2020 Q1: Top Five Films (4/4/2020)

There were still plenty of unique and interesting experiences to be had in theaters this year so far.

Bacurau Review (3/31/2020)

A demented, genre-blending story of class consciousness and rebellion.

2010's Catch-Up: Goodnight Mommy (3/27/2020)

A chilling foreign horror debut that takes a frightening premise and bone-seeping dread and squanders it on a nonsensical twist ending.

The Hunt Review (3/20/2020)

A boring, vapid battle royale that confuses lazy political nihilism for satire.

2010's Catch-Up: The Wind Rises (3/13/2020)

The Wind Rises is a messy, beautiful farewell to a directorial legend and the themes and ideas that encompass his legacy.

Onward Review (3/11/2020)

A funny, heartwarming, and surprisingly fresh - if somewhat uneven - addition to Pixar's ever-growing canon.

The Invisible Man Review (3/6/2020)

A suspenseful, thrilling and surprisingly intelligent re-imagining of the classic horror tale.

The Lodge Review (3/4/2020)

A bonechilling exercise in atmospheric dread, ratcheting up unbearable tension only let down by a somewhat hollow finale.

Sonic the Hedgehog Review (2/14/2020)

A lazy, irritating and unfunny cash grab that will appeal to its target audience and not much else.

2010's Catch-Up: Wolf Children (2/9/2020)

A beautifully, heartwarming and emotionally searing meditation on family and the joys and sacrifices of motherhood.

2010's Catch Up: The Favourite (1/27/2020)

A twisted, erotic, and darkly comedic period piece about the absurdities of power and excess.

Little Women Review (1/22/2020)

A well made, relevant and poignant family drama, yet also an overstuffed experience that would have made for a better TV series.

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