The Northman is a bold, brilliant epic that marks a new creative height for director Robert Eggers.

Everything Everywhere All At Once is an inventive, complex and emotional assault on the sense that may be one of the best films I've seen.

Fun, fresh and full of heart, Turning Red represents a triumphant new direction for Pixar.

The new Scream is a fresh, gory new take on the franchise for a contemporary audience.

Halloween Kills is a ridiculous and bloody fun mess of a sequel.

Lamb is an original and intriguing film that ultimately doesn't quite satisfy.

Julia Ducournau's shocking and thought provoking tour-de-force is violent and tender in equal measure.

A hypnotic and mesmerizing spiritual hero's journey - and the best film of the year so far.

A beautiful romance that nontheless can't help but feel a little bit slight.

An intriguing but ultimately cold exercise from a normally remarkable team.

A flawed but frighteningly atmospheric Jewish horror story.

Despite a rough final act, His House excels with a frightening and important perspective on horror.

A flawed but fun and cozy queer rom-com that will warm many a heart this holiday season.

A well written, edited and acted film that successfully dramatizes an important event while failing to truly dig deep into its relevance.

Strange, surreal and punctuated with wit and beautiful animation, Feels Good Man is an appropriately quirky account of an infamous icon.

A fun, effective found footage chiller for the pandemic era.

A trippy, original and emotionally existential time travel thriller that doesn't always land but always stands out.